AFI TOP 10 LISTS REVEALED

As previewed (along with predictions) on this site yesterday, the American Film Institute tonight announced the results of its industry poll to determine the top ten films in ten different genres, or "10 Top 10," during a three-hour program on CBS. I find it very hard to find fault with the vast majority of the selections—particularly with those that top each list—but I'll recap the results and share a few reactions anyway...
AFI Top 10: Animated
- Snow White and the Seven Dwarfs (1937)
- Pinocchio (1940)
- Bambi (1942)
- The Lion King (1994)
- Fantasia (1940)
- Toy Story (1995)
- Beauty and the Beast (1991)
- Shrek (2001)
- Cinderella (1950)
- Finding Nemo (2003)
PREDICTIONS 7/10, including Snow White as #1; failed to include Beauty and the Beast, Shrek, and Finding Nemo in favor of Dumbo (1941), Babe (1995), and Lady and the Tramp (1955).
COMMENTARY The top three look exactly right—the first full-length animated film, the first great morality tale adapted into a full-length animated film, and the most moving animated film of them all. Then things go a bit askew, in my opinion. The Lion King ahead of Fantasia, the most ambitious animated film of the Disney era? Cinderella behind not only The Lion King, but also Shrek? Shrek?! All-time? As I see it, this list is just a little too heavy on recent stuff (half the films were made post-1990) and a little too light on animation's Golden Age (although I have no objections about the inclusion of Beauty and the Beast, arguably the last great Disney film and the only animated film ever nominated for Best Picture).
AFI Top 10: Romantic Comedies
- City Lights (1931)
- Annie Hall (1977)
- It Happened One Night (1934)
- Roman Holiday (1953)
- The Philadelphia Story (1940)
- When Harry Met Sally... (1989)
- Adam's Rib (1949)
- Moonstruck (1987)
- Harold and Maude (1971)
- Sleepless in Seattle (1993)
PREDICTIONS 6/10; missed Adam's Rib, Moonstruck, Harold and Maude, and Sleepless in Seattle (1993) in favor of Ninotchka (1939), Bringing Up Baby (1938), The Apartment (1960), and The Lady Eve (1941).
COMMENTARY I couldn't be more pleased to be wrong about the #1 film—I thought they'd go with Annie Hall (1977), but the same voters who put Shrek ahead of Dumbo somehow managed to remember the silent-era masterpiece City Lights. 2, 3, and 4 are exactly as they should be, as well, and I'm pleased voters opted for The Philadelphia Story as their requisite Cary Grant-Katharine Hepburn rom-com over the also great (but not as much so) Bringing Up Baby and Holiday (both 1938). Meg Ryan, whose movies have not aged well, somehow shows up on the list twice, and while I understand When Harry Met Sally..., I really cannot accept the notion that Sleepless in Seattle is a better rom-com than the wonderful classic that inspired another Ryan film, You've Got Mail (1998), namely Ernst Lubitsch's The Shop Around the Corner (1940). It's disheartening to see snubs of Lubitsch (not even Ninotchka or Trouble in Paradise?), Preston Sturges (The Lady Eve, The Miracle of Morgan's Creek, or The Palm Beach Story?), Billy Wilder (The Apartment? Sabrina?), Leo McCarey (The Awful Truth?), and above all Howard Hawks (if not Bringing Up Baby, then why not His Girl Friday or Ball of Fire?). Bottom line: Rob Reiner, one. Ernst Lubitsch, zero.
AFI Top 10: Westerns
- The Searchers (1956)
- High Noon (1952)
- Shane (1953)
- Unforgiven (1992)
- Red River (1948)
- The Wild Bunch (1969)
- Butch Cassidy and the Sundance Kid (1969)
- McCabe and Mrs. Miller (1971)
- Stagecoach (1939)
- Cat Ballou (1965)
PREDICTIONS 8/10, including The Searchers as #1, High Noon as #2, and Shane as #3; missed McCabe and Mrs. Miller and Cat Ballou in favor of Giant (1956) and Dances with Wolves (1990).
COMMENTARY I couldn't be more thrilled that The Searchers, arguably my favorite of all movies, claimed the top spot, while the often-maligned (unfairly) High Noon placed second. I wasnot at all confident that Red River was going to make the cut, having been snubbed on previous AFI lists, but I'm glad it did. I wish I could say the same about silly Cat Ballou, which had no business displacing must-see heavyweights like William Wellman's The Ox-Bow Incident (1943), Howard Hawks' Rio Bravo (1959), John Sturges' The Magnificent Seven (1960), John Ford's The Man Who Shot Liberty Valance (1962), Sergio Leone's The Good, the Bad, and the Ugly (1966), Peter Bogdanovich's The Last Picture Show (1971)—it's good, but hell, it's not even the funniest satire of the genre... that would be Mel Brooks' Blazing Saddles (1974), which deserved a spot on the list but I figured is still too politically-incorrect to earn that endorsement, even thirty-five years after its release. Only other complaint: Why is Stagecoach (1939), which introduced John Wayne and also the generic archetypes for every western that followed, so low on this list?
AFI Top 10: Sports
- Raging Bull (1980)
- Rocky (1977)
- The Pride of the Yankees (1942)
- Hoosiers (1986)
- Bull Durham (1988)
- The Hustler (1961)
- Caddyshack (1980)
- Breaking Away (1979)
- National Velvet (1944)
- Jerry Maguire (1996)
PREDICTIONS 7/10, including Raging Bull as #1, Rocky as #2, and The Pride of the Yankees as #3; missed Caddyshack, Breaking Away, and National Velvet in favor of Chariots of Fire (1981), Field of Dreams (1989), and Million Dollar Baby (2004).
COMMENTARY I can't argue with the top three, but Hoosiers at #4? Caddyshack, which is a great comedy but is not even really about sports, at #7? And Bull Durham at #5 (fine), but no Field of Dreams anywhere? I'll take my three that I missed over the three they used instead. And I was kinda waiting for a Rudy (1993) upset...
AFI Top 10: Mystery
- Vertigo (1958)
- Chinatown (1974)
- Rear Window (1954)
- Laura (1944)
- The Maltese Falcon (1941)
- The Third Man (1949)
- North by Northwest (1959)
- Blue Velvet (1986)
- Dial M for Murder (1954)
- The Usual Suspects (1995)
PREDICTIONS 8/10; missed North by Northwest and Dial M for Murder in favor of In the Heat of the Night (1967) and Gaslight (1943).
COMMENTARY Nobody loves Hitchcock more than I do, but I think of North by Northwest and especially Dial M for Murder (in which we know who the killer is all along and just wait to see if he'll be caught) more as thrillers than mysteries—his Rebecca (1940) and Suspicion (1941) fit the definition better, in my opinion. I'd say the same for Vertigo except that I suppose Jimmy Stewart doesn't realize he's chasing the same woman until the end, even if it seems he should, so it's still a mystery to him. No gripe about Rear Window, though, which is absolutely a mystery. I'm really glad that a few more people will check out Laura and The Third Man, two of cinema's most underrated masterpieces, as a result of their inclusion, and only wish there had been room for George Cukor's comparably good Gaslight (1943), as well as Stanley Donen's Charade (1963), Nicholas Ray's In a Lonely Place (1950), Robert Aldrich's Kiss Me Deadly (1955, which helped inspire Pulp Fiction), or Orson Welles' The Lady from Shanghai (1948).
AFI Top 10: Fantasy
- The Wizard of Oz (1939)
- The Lord of the Rings: The Fellowship of the Ring (2001)
- It's a Wonderful Life (1946)
- King Kong (1933)
- Miracle of 34th Street (1947)
- Field of Dreams (1989)
- Harvey (1950)
- Groundhog Day (1993)
- The Thief of Bagdad (1924)
- Big (1988)
PREDICTIONS 7/10, including The Wizard of Oz as #1; missed Miracle on 34th Street, Groundhog Day, and The Thief of Bagdad in favor of The Princess Bride (1987), Mary Poppins (1964), and Willy Wonka and the Chocolate Factory (1971).
COMMENTARY Apparently The Lord of the Rings: The Fellowship of the Ring is a better and/or more important fantasy film than It's a Wonderful Life and King Kong, according to this crowd... I'm not buying. At least they had the good sense to include Harvey and Groundhog Day, two must-sees, if not Frank Capra's Lost Horizon (1937), Robert Stevenson's Mary Poppins (1964), Gary Ross' Pleasantville (1998), or Woody Allen's The Purple Rose of Cairo (1985), each of which is wondrous.
AFI Top 10: Sci-Fi
- 2001: A Space Odyssey (1968)
- Star Wars: A New Hope (1977)
- E.T.—The Extra Terrestrial (1982)
- A Clockwork Orange (1971)
- The Day the Earth Stood Still (1951)
- Blade Runner (1982)
- Alien (1979)
- Terminator 2 (1991)
- Invasion of the Body Snatchers (1956)
- Back to the Future (1985)
PREDICTIONS 7/10; missed Star Wars: A New Hope, Terminator 2, and Invasion of the Body Snatchers in favor of Close Encounters of the Third Kind (1977), Frankenstein (1931), and Planet of the Apes (1968).
COMMENTARY Simply forgot Star Wars was on the ballot. Shocked by absence of Close Encounters, not because I love it, but because I've always been led to believe others did, especially at the AFI, which has honored it on previous lists (including their overall 100 greatest movies).
AFI Top 10: Gangster
- The Godfather (1972)
- GoodFellas (1990)
- The Godfather, Part II (1974)
- White Heat (1949)
- Bonnie and Clyde (1967)
- Scarface: The Shame of a Nation (1932)
- Pulp Fiction (1994)
- The Public Enemy (1931)
- Little Caesar (1930)
- Scarface (1983)
PREDICTIONS 7/10, including The Godfather as #1; missed Bonnie and Clyde, Scarface: The Shame of a Nation, and Scarface in favor of On the Waterfront (1954), Touch of Evil (1958), and The Untouchables (1987).
COMMENTARY Simply forgot Bonnie and Clyde was on the ballot. But no On the Waterfront? Are you kidding?
AFI Top 10: Courtroom Drama
- To Kill a Mockingbird (1962)
- Twelve Angry Men (1957)
- Kramer vs. Kramer (1979)
- The Verdict (1982)
- A Few Good Men (1992)
- Witness for the Prosecution (1957)
- Anatomy of a Murder (1959)
- In Cold Blood (1967)
- A Cry in the Dark (1988)
- Judgment at Nuremberg (1961)
PREDICTIONS 6/10, including To Kill a Mockingbird as #1 and Twelve Angry Men as #2; missed Kramer vs. Kramer, The Verdict, In Cold Blood, and A Cry in the Dark in favor of Inherit the Wind (1960), The Caine Mutiny (1954), Philadelphia (1993), and The Accused (1988).
COMMENTARY I shouldn't have missed The Verdict, but as far as Kramer vs. Kramer goes I just didn't feel enough of the film was set in the courtroom to merit its inclusion. Oh, and A Cry in the Dark is hands-down the most random, out-of-left-field selection of the night—over Inherit the Wind (1960)?! I think I'm gonna go cry myself to sleep.
AFI Top 10: Epic
- Lawrence of Arabia (1962)
- Ben-Hur (1959)
- Schindler's List (1993)
- Gone with the Wind (1939)
- Spartacus (1960)
- Titanic (1997)
- All Quiet on the Western Front (1930)
- Saving Private Ryan (1998)
- Reds (1981)
- The Ten Commandments (1956)
PREDICTIONS 7/10; missed Schindler's List, Saving Private Ryan, and Reds in favor of Apocalypse Now (1979), The Birth of a Nation (1915), and Braveheart (1995).
COMMENTARY I think this category was just poorly defined, which led to films being nominated and then included that are not really epics... Steven Spielberg's Schindler's List and Saving Private Ryan, for instance, are wonderful long dramas, but they are not epics. To me, epics are as much about the "size" of the movie as the length: they are large-scale, massive spectacles, not just marathon sittings... otherwise Shoah or other fine hours-eaters would have made the cut. I guess Gone with the Wind falls in-between the two definitions, which is why it placed third, but it would have topped my list because of the crane shot over the depot of wounded veterans, the burning of Atlanta, and so many other showy moments spread over three hours. I'm delighted they got Lewis Milestone's pioneering epic All Quiet on the Western Front on there, and only wish it was ahead of some of the others for which it paved the way. Speaking of which, where the hell are the politically-incorrect but historically-pivotal early D.W. Griffith epics The Birth of a Nation (1915) and/or Intolerance (1916)? Lastly, I'm surprised The Ten Commandments placed so low, not because it's the greatest movie ever made, but because I have always closely associated it and its director, Cecil B. DeMille, with the word "epic."


Recent Comments
Sounds like great fun!